The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. Watch Lamar's full acceptance speech above, and check back at every Friday for more GRAMMY Rewind episodes.ġ0 Essential Facts To Know About GRAMMY-Winning Rapper J. Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat ). "We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar - a Compton native himself - continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams. He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. In his role, Domingo will be responsible for promoting IFPI's priorities internationally, including improving copyright legislation, promoting the work of music rights owners, developing a thriving digital music sector, and supporting the industry's public education efforts surrounding digital music. GRAMMY and Latin GRAMMY winner and 2010 Latin Recording Academy Person of the Year Plácido Domingo has been named chairman of the International Federation of the Phonographic Industry, the organization that represents the recording industry worldwide. 1 hit "A Horse With No Name." Several more albums followed, including the Top 10 hit Hearts in 1975, before Peek left the group in 1976 to pursue a career as a contemporary Christian artist. 1 on the Billboard 200 and that year earned the trio a GRAMMY Award for Best New Artist and a nomination for Best Pop Vocal Performance By A Duo, Group Or Chorus for the No. Records, releasing their self-titled debut in 1972. The trio adopted the name America and signed a deal with Warner Bros. Born the son of a United States Air Force officer, Peek met vocalists/guitarists Gerry Beckley and Dewey Bunnell while his father was stationed in London and in 1970 the trio formed an acoustic folk rock group called Daze. His 1979 debut solo single, All Things Are Possible, became one of Christian rock's first big crossover hits, while Bunnell and Beckley contributed to the album of the same name.Dan Peek, co-founder of GRAMMY-winning folk rock group America, died July 24 in the Cayman Islands. Peek set about overhauling his life, kicking his addictions and renewing his faith in Christianity. ''In retrospect, I sincerely wish I'd been a teetotaller.'' He left the group by mutual consent in 1977. ''I was taking hash, marijuana, cocaine, quaaludes and alcohol,'' he said. His increasing drug use was also becoming a problem. ''All three of us were enormously competitive and it was a high-stakes game we were playing,'' Peek admitted. A year later America scored their second US No.1 with Beckley's Sister Golden Hair.īut all was not as ripple-free as the music suggested. Lonely People became Peek's signature tune and made the US top five. Their follow-up, Homecoming (1972), which featured Peek's Don't Cross the River, was only marginally less popular.įor their fourth album, Holiday (1974), the band drafted in George Martin as producer to help frame their songs in clever arrangements and give them a glossy studio punch. Their first album, America, was a colossal hit, too, reaching No.1 in their homeland. Their smooth harmonies and readily accessible folk-rock sound chimed with the times, as did the hirsute wholesomeness of their image. They secured early gigs at London hippy hangouts before landing a Warner Brothers contract.Ī Horse With No Name, released in December 1971, was an immediate success. On his return, they became a trio, fired by the acoustic Americanisms of Crosby, Stills, Nash & Young and James Taylor.
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